--Oscar, in Robert Heinlein's Glory Road
Sometimes a technology evolves to the point where the only improvement is a whole new technology.
Case(s) in point, last week, Pat and I took a mini-vacation to Pennsylvania, to Lancaster and Philadelphia. We visited Pat's cousin, Phil, deep in the heart of Amish country. Pennsylvania has more covered bridges than any other state; 30 in Lancaster County alone.
Covered bridges are the acme of wooden bridge design. Most employ the arched Burr truss --a double arch of laminated timbers combined with a series of triangular king posts. The king posts gave the bridge rigidity and the double arches (one on each side), distributed what engineers call the "live load" (the weight of moving wagons or trucks) to the bridge foundations. The arches are three 4x12 planks made of heartwood oak, steamed to allow a slight curve, and bolted in sections to each other. The seams are staggered so the pieces overlap, resulting in a single load-bearing piece. Most of the covered bridges we saw are still in use by traffic, including honking big farm machinery.
The bridges are made of locally quarried stone with local timber. Wood rots when wet. The builders added a roof, usually tin or shingle, to protect the wood elements and prolong the life of the structure. Uncovered wooden bridges have a lifespan of 10 years; covered bridges go ten times longer, maybe more. Wooden bridges were cheap and quick to build using local labor and were the way you crossed a creek dryshod until the advent of structural steel in the early 2oth century.
The bridge tour was part of the trip to Philly. On the way, we stopped at Strasburg, an early hub of railroading in the Keystone State. Three different railroad museums to choose from; one devoted to toy trains, one to model trains (there is a difference) and one featuring the real deal.
The model train museum, a private outfit, held a layout the size of a basketball court featuring local color. The sheer size of the layout and movement, including aircraft circling on wires, contribute to the biggest sensory overload I've experienced since going through It's a Small World at Disney World. Every 10 minutes or so, the lights dimmed and the houses, streetlights, and cars lit up. Pretty impressive. My favorite, though, was all the small jokes the modelers worked into the set. I saw several, but I'm sure I missed a lot. Jokes like the town square bronze statue of Eisenhower in full uniform with a pigeon on his head.
Or the hobo jungle with a club wielding three-headed troll under the bridge ("my brother is much bigger") the heads were miniature portraits of Larry, Curly, and Moe. There must have been 20 trains running all over the layout including a familiar face.
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We saw gentlemen of a "certain age" leaving the gift shop with big shopping bags stuffed with model railroad cars and building kits. A trail of drool led to the door; you could almost smell the lust.
The real deal, however, was the Railroad Museum at Strassburg. I felt the same as when visiting the Smithsonian's Hall of Dinosaurs; big bellowing creatures that evoke the small kid's "Oh wow" response.
Steam locomotives ranging from one used to transport sugar cane in Hawaii to the huge Atlantics and Mikados that ran from one end of the continent to the other and back. A working exhibition train with coal smoke puffing from the stacks and brass bells agong.
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Don't get me wrong; I harbor no nostalgia for bygone days. Being an American in the early years of the 21st Century is as good as it gets (on my optimist days) or as good as it ever will be (on my pessimistic ones). But the scent of live steam or the sound of hoofbeats on wooden decking evokes the same feeling as seeing a live mastodon.
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When we have perfected aircars and matter-antimatter drive, I can't help but wonder what bits of today's stuff will be considered cool enough to keep.